8th ARS MEDIAEVALIS Colloquium. Memory: Monument and Image in the Middle Ages. 2018
Memory is a psychological faculty and an intellectual power that found its expression in the foundational and oft-repeated phrase of the Eucharistic celebration heard by all believers: “do this in remembrance of me”. Memory is projected onto ritual commemorations of the dead, funeral processions, anniversaries, liturgical celebrations and concerns all of the deceased, from the humblest to those who hold eminent institutional, religious or administrative positions, and, of course, the “special dead”, namely, the saints. It is not restricted to commemorating the deceased, whose presence is invoked by naming them in obituaries and in the objects associated with them. The latter were movable (liturgical vessels, manuscripts, ritual vestments, portable altars, trophies, objects associated with reliquaries and artistic patrons) or the fixed furnishings of buildings (reredoses, mural paintings, stained-glass windows, heraldic sculpture and, in particular, epigraphs and funerary monuments). By extension, the term memory was used in reference to the buildings or altars (e. g. cella memoriae) that sheltered these objects of such high sacred value.
However, in each cathedral, the promotion of memory was incorporated into a communal setting in use over a long period of time and thus fostered diverse dynamics in terms of the interactions and intersections between the memory of the individual and/or the cooperative memory of social groups. Furthermore, mnemotechnic resources played a highly important role in adopting, storing, connecting, activating, modelling and reinventing the information and visual expressions received at a given moment in the past.
Memory, as contemporary psychology shows, is a dynamic process that transforms the past to such an extent that it creates new pasts. In fact, operative and dynamic memory is an exercise not so much in recognizing the past as an immutable reality but rather in reorganizing that past to the point of imagining it. Remembering always means connecting new stimuli (images, logical sequences, references, stories, etc.) that awaken this recollection with earlier information that has already been taken on board but stored away. Without the analogous links that adapt memories, it is impossible to integrate new events into a historical sequence. How did such assumptions affect the way in which images functioned during the Middle Ages? Where and when were architectural spaces composed to promote the gestation or remodeling of individual or institutional memories? This colloquium will provide a forum for analysis and debate regarding these fundamental questions of visual culture and medieval art.
Gerardo Boto Varela (Universitat de Girona) - Alejandro García Avilés (Univiversidad de Murcia) - Herbert L. Kessler (Johns Hopkins University)
TEMPLA - GERM Estudios Visuales - Red ARSMED
May 4th (Location: Fundación Sta. Mª la Real)
Chair: Francesca ESPAÑOL BERTRÁN / UNIVERSITAT DE BARCELONA
(") The lectures will be given in the language with which their title is expressed. Of those that are exposed in English, the text translated into Spanish will be delivered to the attendees
This colloquium constitutes an open call for researchers who wish to present the results of their analysis in this area. Those interested should send a summary of the content of their communication, with a maximum length of 2 DIN A4 pages, in a single space (Times New Roman, 12 points), as well as a brief selection of the basic bibliographical references in which will support your speech. All this will be sent to the following email address:firstname.lastname@example.org
The deadline for receipt of the abstracts will end on March 20 and will be informed about the acceptance or not of the communication before March 28. In the case of those admitted, the time available for public exposure (compulsory procedure), the length required for publication in the minutes and the editing rules will be made known.
The sessions will take place at the headquarters of the Santa María la Real Foundation (Avda. Ronda 1, next to the main bridge), at the monastery of Santa María la Real and at the Provincial Cultural Center (Diputación de Palencia).
CONDITIONS OF THE COURSE
FEES REGULAR: 140 €
FEES REDUCED: 95 €
(Amigos del Patrimonio, Amigos del Románico, Amics de l’Art Romànic de Catalunya, assistants to the Colloquium of 2016 or 2017 and those enrolled in other courses of the Santa María la Real Foundation of Historical Heritage in 2018).
FEES SPECIAL: 60 € (students)
Until April 26, 2018
Modality of payment:
-Bank transfer / Or with a credit card from this same platform
Cajamar – Oficina de Aguilar de Campoo
Cuenta nº: IBAN: ES25.3058.5221.1527.2000.0878
SWIFT: CCRI ES 2A
INFORMATION AND ENROLLMENT:
Secretaría de cursos y seminarios
Fundación Santa María la Real del Patrimonio Histórico
Avda. Ronda, 1 – 3
34800-Aguilar de Campoo (Palencia)
Tel. 979 125 000 Fax: 979 12 56 80
(Monday to Friday: 08.00 h. a 15.00 h)
Posada Santa María la Real ("), tfno. 979 122 000
(")Special rates will apply to students in this course
Hotel Valentín""", tfno. 979 122 125
Hotel Villa de Aguilar"", tfno. 979 122 225
Hostal Restaurante Cortés"", tfno. 979 125 080
Hostal Los Olmos", tfno. 979 125 505
Camping Monte Royal, tfno. 979 123 083